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We accept Cash, Check (to: Mazel Musical Arts) and Credit Card. Our e-transfer email is donations@mazelmusicalarts.org or you may use PayPal on our giving page.

NOTE: You can sign up for a class with no up front $ obligation. You will not be charged until after a class.

Please specify which instrument you would like to study in the booking form.
If you are looking for specific training in one of these areas, also please specify.

Examples: Piano - Jazz Improv, Piano - Classical Studies, Guitar - Rock, Guitar - Blues, Guitar - Classical, Violin - Fiddle/Celtic, Violin - Classical, etc…

At the present time we are working with Lorri Dunn, Pianist, Mike à Vic, Guitar, Cam Cromwell - Blues Guitar, Anthony Ridi, Classical and Rock Guitar, Lap Steel, Banjo and Bass, and Emily Carmen, Violin.

They are all located within 20 minutes of our Weymouth Studio.

Mazel Musical Arts Society

  • Duration: 4h 30m
  • Capacity: 1 - 12

Price: $60

Algorithmic Music

  • Duration: 45m
  • Capacity: 1 - 12

Price: $25

Film Music

  • Duration: 45m
  • Capacity: 1 - 12

Price: $25

Jazz Musician Gregg Mazel

  • Duration: 45m
  • Capacity: 1

Price: $25

Gregg Mazel – Musical Biography

b. Providence, RI. Attended Boston University, Hartt School of Music and the University of Rhode Island. Mostly self-taught. Studied woodwinds and improvisation with: Joseph Viola – head of woodwinds at Berklee College of Music. Jackie McLean – Hartt School of Music. Jaki Byard – Hartt School of Music. Alexander Lepak – Hartt School of Music.

In the early to mid-1970s, performed at Al Fisher’s Place with The Brotherhood Trio, on WJAR-TV in “Black Profiles,” Gregg led, arranged and performed in a myriad of trios and quartets, performing in clubs and colleges in Rhode Island in the 80’s.

Gregg performed at the New Orleans Jazz and Heritage festival with the Al Belleto Septet, the Ellis Marsalis Quintet, (featuring both Wynton and Branford Marsalis), and toured with Clarence “Gatemouth” Brown. He performed with “Lil’ Queenie and the Percolators”, played with “Hot Strings,” the Lee Castle Orchestra and Irma Thomas, the “Nairobi Ensemble”, and toured with “Asleep at the Wheel.” From 1979 to 1986, Mazel played as lead sax with numerous bands, including the “Otis and Ridley Band”, “Montage” and “Roomful of Jazz” (a specialty version of Roomful of Blues).

Performance highlights include performing at the New Orleans Jazz and Heritage Festivals and in the opening act for Ella Fitzgerald (recorded and broadcast on National Public Radio). Gregg also performed with Helen Humes and Floyd Smith in New Orleans, and at the Houston Blues Festival with Gatemouth Brown and “Gates Express.”

Other engagements include performances at Bo Baggums’, Leo’s, The Met Cafe, Allary’s, Lupo’s, Pelham East, The Blue Pelican, Arcadia Ballroom, and Windham College. Recording “Deck the Halls” as co producer/arranger with Otis Read on the North Star Label. Recording with Andy Bey and Shawn McGloin in Brooklyn. Please see: http://www.wjaz.com/music/. Recordings with Duke Bellaire Orchestra. Please see: http://www.wjaz.com/sound/. Gregg has played with the Art Medeiros Big Band and the Art Medeiros Concert Band. He has  performed with Sugar Ray and the Blue Tones, The Sheiks, The Mystic Horns, The Gary Sugal Contemporary Big Band, Paul Barrett Back Alley Big Band and The Gregg Mazel Quartet.

Gregg is the founder of WJAZ.com, WJAZ.net and the WJAZ Composer’s Orchestra.

 

I do not usually take much general music business work (called “Club Dates” in NY or “GB Gigs” in RI), but sometimes it’s kind of fun. The only prerequisites for doing these kinds of engagements/gigs is to be properly dressed, show up on time, with the ability to read and improvise jazz music. Here is an example of a professional 8 piece band, working in a hotel setting in 2002 (sorry I don’t have a list of personnel). I would typically make these tapes for myself, bring them home, and listen to see how I did and learn how to do better. Here I am playing as a sideman in the band, where I get to play a couple of “hot” jazz solos. Please let me know if you think my sound in this setting is “hot.” If you want to learn how to read and improvise, please contact us at www.mazelmusicalarts.org. Enjoy.

-Gregg Mazel

Jazz Musician Gregg Mazel
Original Jazz Piece - Adventures in Sound - Gregg Mazel, Marty Ballou, Mark Texeira
Jazz Musician Gregg Mazel
I Can't Get Started With You - Gregg Mazel on Tenor Sax - 8 Piece Band at Biltmore Hotel
Jazz Musician Gregg Mazel
I'll Take Manhattan - Gregg Mazel on Tenor Sax - 8 Piece Band at Biltmore Hotel

Fanfare Composer Challenge

Create an original score – 64 bars of original music for Fanfare

Working Title: Smuggler’s Cove

Submit your score as a musc .xml file to admin@mazelmusicalarts.org by Dec. 15

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